The Story
To write a bio on Tucker would be like trying to capture the essence of a personality on an application for a credit card — just not possible. So I decided to interview him and allow him to tell all of the pieces of his story in his own words.
— Judi Boston, friend and manager
On His Music
Tucker is a singer, songwriter and entertainer — but ask him which matters most and he won't hesitate: "I consider songwriter the highest honor."
"If asked what is my best song I've wrote, I would say I haven't wrote it yet. I'd be done, and my favorite would be the last one."
Every song Tucker has ever written has been on Guilda — his 1977 Guild guitar. He has no set formula. Sometimes the tune comes first, sometimes the words. "The song visits you and you must act or it moves on." He never writes on paper. It's all in his head until it's done.
He started writing at 17. His girlfriend's dad wanted him gone. He thought she was leaving for sure, so he wrote a song. When she came over, he played it — she stayed. "If I wouldn't have wrote that song, it would have saved me one divorce."
Mississippi Roots
Tucker was raised in Mississippi — same place as Carl Jackson. He got his first guitar from Carl's Mom and Dad. The Petersons have been in that area since 1850, and one common thread runs through all of them: music.
On weekends when there was music played, it was moonshine, dice and music. His Daddy was the greatest of them. Old black men would park their log trucks in the ditch and walk up to play. A small Tucker watched in amazement.
"I asked one named Neckbone, 'Was that in G?' He said he knew 'nothin' 'bout no G.' I never forgot that. To this day I only trust what Neckbone trusted — feelings. To this day I like open chords, yet my strumming hand is all up and down the guitar, telling it how I feel."
Tucker's Daddy was one of the best singers he's ever heard. He only ever wrote one song, but he recorded it. It took off and a record company sent him money to come to Nashville. Daddy took the money and went drinking — and really regretted that in his life. Tucker's Daddy died in January 2007. His song "Hillbilly Rocker Son" is his tribute.
"He liked my music and was proud that I wrote my own stuff. Still among the Petersons I probably rate under him, even though I've done much more — but I am good with that."
Influences
Tucker woke every morning to his Daddy plugging in an 8-track. Faron Young, Ray Price, Tom T. Hall, Elvis — all while getting ready for work. He was influenced by all of those, but mostly by being there to see real music played live, by those old black men playing songs like Stagger Lee.
Over the years Tucker has shared the stage with the Bellamy Brothers and Johnny Lee. He's recorded with musicians like Don Crider (who co-wrote "Reno" and plays fiddle for Doug Supernaw), Rodney Pyatt (guitar for Rick Trevino), and Steve Palousek (Gary Stewart, Ray Price, Gene Watson).
"The night I opened for Johnny Lee, there was just something special and electric in the air — 'bout 4,000 people there. I had a great show and Johnny came out and was awesome as well. Just one of those special nights."
The Band
Tucker didn't put a band together until the last few years. "Hard. Musicians are quirky people — you gotta go with the quirks. If they want green M&Ms, I try to get them green M&Ms."
He's open to suggestions about arrangement, but the bottom line is his way or the highway. He's fired a lot of guitar players. One night a guy sitting in butchered "Help Me Make It Through The Night." Tucker told him three times to lay back. When the song was done: "Pack your stuff, now." The crowd clapped as he walked out.
As for vices — Tucker doesn't do drugs, never has. Coffee is his vice. He takes a thermos to his gigs.
"I feel the rawest of form is the best of entertaining."
Tucker points to Elvis's "Aloha From Hawaii" as the perfect example. Elvis knew what it would take — he cleaned up, got to fighting weight, and delivered two legendary shows. "Those performances will be the best of his legacy." Raw form. No shortcuts. Your fans came, and you deliver.
Storytelling
While recording the "Letting Go" CD, Tucker was just talking with producer Steve Collins at Troubadour Studio. Steve said, "Tell that story about how you broke your leg and reset it yourself." So Tucker did — and Steve recorded it. He sent it to New York to The Moth.
The Moth later did a cross-America tour on storytelling. Tucker did the show in Austin, telling one of his outlaw stories from when he was a stupid young man.
"It was fun and the people went nuts, they just loved it."
Theatre
Tucker has been involved with Bosque County Community Theatre since 2004. His first show was "Foxfire," where he played Dillard Nations — a singer/songwriter. "I was lucky on Foxfire because Dillard and Tucker were the same." He won two Omar Awards for the role.
The play had songs with words but no music. Tucker was told to just play some songs he knew. He refused: "No way, this needs to be Dillard's music. People in the audience shouldn't know the songs." He took the words and worked relentlessly on an entire original score. About two weeks out, he delivered — and blew everyone away. That play went up against the musical "Grease" for awards and took 17 of the 24 Omars, including one for Tucker's original music score.
He went on to direct "Butterflies Are Free," "Deathtrap," and assisted on "On Golden Pond." He designed and built the sets for the shows he directed. "Being proud of the work is what's important. I'm really not all that much on the awards — I usually take the plaques off, say thank you and donate them back for next year."
"I love theatre. It is real acting. You are live — you can't fix something when someone screws up, and they will. You have to teach the actors how to cover each other. All plays have mess-ups; it's the illusion you create so that no one sees them."
Words of Wisdom
One night Tucker's son was home on leave from the Marine Corps. They ran into Billy Jo Shaver. Afterward, his son asked why Tucker had never introduced him to people like that before. Tucker's answer: "Because I took you fishing instead."
Billy's son Eddie Shaver was a great guitar player. They used to say when God took Billy's two right hand fingers, He put them on Eddie's left hand. Eddie was found beat to death in a cheap motel over drugs. "You wasn't missing nothing. You have found your own way by being you." His son now plays sax for the Marine Corps Band.
"Trust the God-given talent. It will be your best, not the drug-given talent."
And for those starting out: "If you play your own music you will have a harder road. The top 40 cover bands will get the gigs — but top 40 cover bands have always come and gone and always will. If you stick to your music and don't let anyone tell you how to play it, you will leave the world your own legacy. You will always feel what it is like to be a legend, even if only in your own mind. Still a great feeling."